By Michael Simmons Thursday, May 13 2010

On May 18, the Rolling Stones’ 1972 classic Rolling Stones Exile on Main Street will be re-released in three editions: the remastered album, a version with bonus tracks and a superdeluxe set with vinyl, DVD and booklet (rumors of a super-duper-deluxe set complete with hypodermic and burnt spoon remain unconfirmed). The DVD is a super-cool behind-the-scenes during the making of “Exile on Main Street” in the early 1970′s. A must see for rock music fans and Stones fans.

Time has justified Exile’s mythological standing as a masterpiece of murk, an ??ber-bluesy collection of spooky grooves. Fans know of (and have mythologized) the band’s infamous sessions at Nellc??te in the south of France . And while it’s true that most of the album’s basic tracks were recorded there, where the Stones had been taxed into self-exile, Exile was actually wrapped and mixed right here in Los Angeles .

The sunlight, the drive to work, the way the girls look. L.A. ‘s got a very strong set.

Marshall Chess
president of Rolling Stones Records

After the French heat got hip to Nellcote’s pharmaceutical follies, the Stones fled and arrived in L.A. on November 29, 1971. ” L.A. added a whole dimension to Exile’s mixing and assembly,” recalls Marshall Chess, who, as president of Rolling Stones Records, was privy to the inside. “The sunlight, the drive to work, the way the girls look. L.A.’s got a very strong set.”

Chess says Mick Jagger was in charge of sessions at Sunset Sound Recorders, still open for business today at the same spot: 6650 Sunset Boulevard, at Cherokee. “We utilized Dr. John and Billy Preston for help. Dr. John got us backup singers. Billy brought that gospel sound to the vocals. They were crucial to the overall sound of the tracks. In some ways they might’ve been called part-writers. A lot of times it’d be stagnant and Billy Preston would put his shit on it and it would change the riff and texture.” Chess remembers “Happy,” “Casino Boogie,” “Ventilator Blues,” “Torn and Frayed” and “Loving Cup” getting extensive overhauls at Sunset Sound.

Former Beatles employee Chris O’Dell was personal assistant to the Stones at the time: “Keith [Richards] was going through his usual Keith stuff. They weren’t organized in the studio. I remember many nights being there for hours. It felt like it didn’t ever click. Maybe that’s the way they recorded. I was used to the Beatles and how refined their sessions were.”

O’Dell leased homes for Jagger, Richards and Mick Taylor in Bel Air, while Bill Wyman and Charlie Watts usually stayed at the Beverly Wilshire Hotel. “They were the toast of the town. They got invited to everything that happened,” O’Dell recalls. “Mick’s a very social person. Always has been.” The boys partied with Papa John Phillips and Natalie Wood and visited Ike and Tina Turner’s studio in Inglewood.

O’Dell’s then-boyfriend, former Band road manager and Mean Streets producer Jonathan Taplin, recommended photographer Robert Frank for the album cover and sent Jagger a copy of Frank’s heralded photo collection The Americans. Frank was flown in from New York and they all went down to L.A. ‘s Skid Row on pregentrified Main Street to shoot ??? hence the album’s title.

“I just remember how easygoing it was, just walking down the street and people following us and everybody getting high,” says O’Dell. “The street people came out and went, ‘Heeeyyy, are you Mick fucking Jagger?’ He’d laugh and they’d follow us.” Frank used a Super-8 movie camera and the Stones stills on Exile’s cover are frames from that film.

Chess says 1 a.m. business meetings with lawyers were not uncommon, and fondly recounts regular jaunts with Keith to Canter’s on Fairfax for strawberry shortcake with real whipped cream. Both he and Keith bought Ferrari Dinos at Hollywood Sports Cars, a legendary dealership that’s no longer in business. But there was a dark side too.
“After Altamont there were death threats from the Hell’s Angels,” says Chess. “When we got to L.A. , Mick and I bought pistols. I had a .38 hammerless Smith & Wesson. Mick was paranoid about the Angels.” But overall, Chess says, L.A. was a positive experience that put the icing on one of the great rock & roll albums of all time. “They were drawn to all things American. The Stones love American music and fit really well in L.A. ”

Bringing it all back to 2010, it’s the jones for new music on the bonus tracks that has Stones freaks scratching. Don Was, the Stones’ producer since 1993, was brought in last year to mix and oversee overdubs for unfinished outtakes. He recounts his marching orders: “Keith sent me a fax sayin’, ‘You don’t have to make it sound like Exile. It is Exile.’”

Was explains what he believes to be the key to Exile’s off-kilter sound: “It reminded me of what Miles [ Davis ] was doin’. There’s this apparent looseness to it, but it’s holdin’ together. The thing that makes [the Stones] great is that they all feel the beat in a little different place. If you listen to the tracks individually, you go, ‘This is a mess.’ When you put it all together, it creates this looseness, but it still grooves. There’s a centrifugal force that holds the band together. With Exile, they pushed the centrifugal force as far out as you can and still have the center hold.”

Speaking of the Stones, what do you make of this: http://www.youtube.com/watch?v=L8CtWUY7nvg

a

If you’ve never been to the Hollywood Forever Cemetery Movie Screenings, you don’t know what you’re missing. Check out the movie screening schedule and come on down with a group of your nearest and dearest. Really fun and they show some awesome movies.

Check the Hollywood Forever movie screening schedule here:

http://www.cinespia.org

Hollywood Forever Cemetery
6000 Santa Monica Blvd.
Los Angeles, CA 90038
(Santa Monica Blvd. @ Gower)

a

I always support Kevin Booth’s efforts to raise awareness and exposing the ridiculous and dangerous draconian drug laws in the USA. I first learned about Kevin Booth many years ago, by being a huge fan of the late great comedian/satirist Bill Hicks. Kevin and Bill had been childhood friends. I feel that part of Bill’s long-silenced voice is still heard through he works of his friends such as Kevin Booth.

Free Preview Screening
Venice Beach, Feb. 13

On Saturday February 13th at 8:00PM, the new feature length documentary from Sacred Cow Productions, ???How Weed Won the West??? will be screened at the Organica dispensary in Venice Beach (13456 Washington Blvd.), the site of the LAPD raid from last year as shown in the film.

“How Weed Won the West??? is the story of the people who probably would not die if you took their weed away. People who feel it is their right to smoke a dried flower instead of ingesting dangerous pharmaceuticals for medicine, or alcohol and cigarettes to simply catch a buzz.

a

by L.A. Filmmaker Stephan Wassmann

A Mini-history of Twan and Stephan Wassmann

Stephan Wassmann is a good friend of mine. He and I met when we were both working on our very first feature film together when we were in our early 20′s. It was an ultra-low budget piece of crap called “Warlords From Hell”, produced by B-movie mogul Roger Corman, co-starring Robert Patrick in his first movie role (best known as the evil liquid robot man in Director James Cameron’s Terminator 2). Stephan and I have remained friends over the years and have kept tabs on each other’s endeavors. Stephan was one of the director/cameramen for a project that is still on the shelf, waiting for ME (Twan) to get off my ass and make happen: the 1999 Burning Man Voodoo Opera – Le Mystere de Papa Loko. Absolutely amazing footage.

Get a glimpse of our explosive new documentary “SCRAPPER”, which takes you inside a uniquely American outlaw realm… right where you least expect it.

There’s a 3 minute and a 1 minute trailer. We’d love it if you posted a comment if you don’t mind taking the time. We’re trying to generate as much buzz as we can, so feel free to forward the link to friends.

Please check it out

Stephan Wassmann
Director/Filmmaker of “Scrapper”

Or you can simply go to YouTube and type in SCRAPPER DOCUMENTARY.

You can also view the trailer on the “Scrapper” website at:

www.scrapperfilm.com

a

Click the image above to visit the Electric Apricot website. Very nicely done. Citizens of Burning Man at Black Rock City will find a special place in their hearts for Electric Apricot.

When the site loads, let is sit for a while. Make sure your speakers on. Some very cool tunes start playing. Enjoy!

Buy Electric Apricot: The Quest for Festeroo

Rent Electric Apricot through Netflix.com

Many thanx to the always fascinating, magickal, fun-loving Courtney Clark, (aka: Gypsy) for turning me on to this. Thank you for keeping life colorful and interesting.

a

They say that god works in mysterious ways…

But something has lifted my spirits, if even just a little bit. I’m here watching the end of a mediocre movie called “Devil’s Advocate”. It’s not all that great. But in it, Al Pacino plays Satan in human form… an attorney, no less… And he is giving a belligerent, indignant speech about God, his nemesis. It is this speech that has given my spirits a boost and a grin for the day. A ray of hope and sunshine. Redemption can come in odd, unexpected ways. I’ll take it! I accept!

I hope you enjoy this transcript as much as I enjoy bringing it to your attention:

God? …..Is that it..?

…God!?

Well, I’ll tell ya… let me give you a little inside information about “god”:

God likes to watch.
He’s a prankster.

Think about it :

He gives man instincts…
He gives you this extraordinary gift…

And then what does he do..? I swear, for his own amusement… his own private cosmic gag reel…

He sets the rules in opposition. It’s the goof of all time:

Look… but don’t touch…
Touch… but don’t taste…
Taste… but don’t swallow…

Ha ha ha!

And while you’re jumping from one foot to the next, what is he doing?

He’s laughing his sick f cking ass off..!

He’s a tight-ass..!
He’s a SADIST..!
He’s an absentee landlord..!

Worship *THAT* !?!…

NEVER!

Al Pacino as Satan in Devil’s Advocate

Even though Pacino is playing the devil… that particular description doesn’t sound so devilish at all… Sounds pretty logical to me! And I don’t have much use for those bankrupt, irrelevant concepts known as ‘god’ and ‘devil’….

Update: OK.. I finished watching the movie since I originally posted this message.

Twan’s quick capsule review:

“Piece of Shit!”

But that doesn’t diminish the quoted text above. That much is golden!

a